Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,   Related Paintings of DAVID, Gerard :. | Madonna and Child with the Milk Soup dgw | Lamentation dfg | The Holy Women and St John at Golgotha dfv | The Annunciation dg02 | Altarpiece of St Michael dfg |
Related Artists:
Severin Nilsson
(1846 - 1918) was a Swedish painter and photographer. He was born in Halland in the south of Sweden. He studied at the Royal Swedish Academy of Arts in Stockholm 1865 - 1871 and then under Leon Bonnat in Paris for three years. Severin painted portraits, landscapes and genre pictures. A prolific artist, he participated in numerous exhibitions and left behind a large and diverse production of work. He was also one of the first Swedish documentary photographers. Inspired by Arthur Hazelius, he made photographic studies of public life, especially in the village Asige in Halland, where he was born
Pieter de Grebber
(c. 1600, Haarlem - 1652/3, Haarlem) was a Dutch Golden Age painter. De Grebber was the oldest son of Frans Pietersz de Grebber (1573 - 1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria and Albert. He learned to paint from his father and from Hendrick Goltzius. He was descended from a Catholic and artistic family and his sister Maria later became the mother-in-law of Gabriel Metsu. He was a friend of the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbrue. In 1632 he became a member of the Haarlem Guild of St. Luke, but he had already been active as a painter for 10 years. His pupils were Gerbrand Ban, Nicolaes Pietersz Berchem, Egbert van Heemskerck, and Dirck Helmbreeker. In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting "Daniel in the lions pit". It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton - to king Charles I. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked on the decoration of the Huis Honselaarsdijk in Naaldwijk and at the Paleis Noordeinde in Huis ten Bosch in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients. Pieter remained single and lived from 1634 until his death at the Haarlem Beguinage.
Cornelis Bega
1632-1664 Dutch Cornelis Bega Galleries Dutch painter, draughtsman and etcher. He was born into prosperous circumstances; his mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz. van Haarlem, a renowned Mannerist artist. Begas father was Pieter Jansz. Begijn (d 1648), a gold- and silversmith. Like other family members, Bega was probably Catholic. Houbrakens claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Stedel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmus.) drawn by him and Leendert van der Cooghen in 1654.